I guess in retrospect there isn't much to say about my holiday. Nothing worth recalling on paper anyway, albeit digital paper. It was just a middle class white kid having a good time with his nuclear family.
I have more words for Melbourne though. That is one attractive city, especially at night. One can only wonder how many millions of dollars have been put into the outdoor aesthetics alone. Even the train stations are visually appealing. It's a shame about the indie hipster community though. I basically stayed in flannel shirts the whole time, as a silent protest of sorts. My own little culture jam, you know? Stickin' it to the man. Though in this case 'the man' is an effeminate, long-haired beanpole of a yuppie with pants so tight he can't even slide his brand new Motorola into his pocket.
I can't say I've never fallen in with a subculture, but I suppose that's why I can recognise them as nothing more than a means of suspending your own identity crisis, more often than not.
I saw The Receiving End of Sirens at the Corner Hotel in Melbourne, their set was incredible (almost as incredible as their Soundwave set the next day) and afterwards I was lucky enough to run into their lead guitarist Nate and Casey Crescenzo, frontman of The Dear Hunter and Soundwave tourmate. To give you a little backstory, Casey was in TREOS but got kicked out after their first album. He told me he was on good terms with them though (believable enough considering he went to watch their show).
I don't want to be the guy who raves about some unknown band that only he cares about, but screw it. You know those bands that change people forever? The bands your parents get glassy-eyed reminiscing about? Everyone has their own. TREOS has been one of those for me - I could go through the all the pathos, the inspiration, all the stuff that's gone through my mind listening to them for the last two years, but you can use your imagination / reflect on your own experiences.
Anyway as I sat down opposite them in the upstairs bar to finish a conversation, I realised they were halfway through a 'deep and meaningful' regarding Casey leaving the band and their mutual respect for each others' music. They spoke candidly, appearing ignorant of my proximity (or perhaps just under the influence of alcohol), and I took the opportunity to not leave. I couldn't believe how close I was to people I've looked up to so much for all this time. I ended up talking with them about their music for a while, and after enough drinks, Nate tugged on my shirt and told me that he hadn't talked like that with his ex-bandmate in a year and a half. My friend Colin was standing beside me at this point, I think nagging me to leave. Then Nate dropped the bombshell.
"This is hard for me to say," he said, getting misty-eyed, "but after this tour, it's over." Well, I could certainly empathise with his grief. It was like Arrested Development getting cancelled all over again. The primary songwriter of the band, Brendan, was going to be a dad. Colin and I were devastated, but simultaneously in awe of our privilege - nobody else knew, as Nate pointed out. We were on the cusp of history. He told me to do what I wanted with the information, but for the most part this is it. He was completely drunk by that point, and as much as I want to be the "I told you so" guy in these circumstances, I don't want to submit it to absolutepunk.net or the like if he wouldn't have told me with a clear mind. He was pretty upset. So was I, admittedly.
The whole night felt very surreal. It still does.
If you want to hear their stuff try 'The Crop and the Pest' at the myspace link above. It's not really first-listen music but it's worth the time it takes. Though if you think it sucks, my story will lose any impact it might have had. I'll just say download the album 'The Earth Sings Mi Fa Mi' and listen to everything in its context. It's one of the most amazing things I have heard and continues to get better six months later. It's getting distributed over here soon.
/plug?